User-Centered Design of Immersive Research Applications for Understanding Written Artefacts

DOI

Writing is an essential cultural technique that shaped our world's societies and is an important cultural heritage. The Cluster of Excellence 'Understanding Written Artefacts' is an interdisciplinary and cross-cultural long-term project dedicated to studying so-called 'Written Artefacts (WA)', which include all sorts of objects on which visual signs are applied by hand. Through our work, the research field of human-computer interaction is represented in the Cluster for the first time. This paper introduces our interdisciplinary research on immersive applications for understanding WA. We motivate the usage of virtual reality (VR) technologies for the novel field of WA research, in which we explore new immersive ways of studying WA. Currently, only fieldwork provides the spatial context to the WA in the inscribed spaces. Immersive applications could provide researchers with virtual access to the spatial and even temporal context at any time, but so far, VR has not been used in academia for this use case. We developed two immersive VR systems with a user-centred design approach in close cooperation with academic experts from ancient history, classical archaeology, and theology, among other fields. Our VR systems visualize WA with their temporal and spatial context and provide additional content such as reconstructions, hidden layers, and meta information. Our tool was developed for two different application scenarios, (1) a large outdoor scenario of the ancient Roman theatre of Miletus, and (2) an interior scenario of the church at the Rittergut Lucklum.

The research for this paper was funded by the Deutsche Forschungsgemeinschaft (DFG, German Research Foundation) under Germany's Excellence Strategy – EXC 2176 'Understanding Written Artefacts: Material, Interaction and Transmission in Manuscript Cultures', project no. 390893796. The research was conducted within the scope of the Centre for the Study of Manuscript Cultures (CSMC) at Universität Hamburg.

Identifier
DOI https://doi.org/10.2312/egve.20211325
Metadata Access https://www.fdr.uni-hamburg.de/oai2d?verb=GetRecord&metadataPrefix=oai_datacite&identifier=oai:fdr.uni-hamburg.de:10130
Provenance
Creator Gabel, Jenny ORCID logo; Berns, Christof ORCID logo; Bosch, Sebastian ORCID logo; Eickmeyer, Jost; Harter-Uibopuu, Kaja ORCID logo; Martin, Nathalie; Osthof, Ann Lauren ORCID logo; Steiger, Johann Anselm; Steinicke, Frank ORCID logo
Publisher Universität Hamburg
Publication Year 2021
Rights Creative Commons Attribution Non Commercial No Derivatives 4.0 International; Open Access; https://creativecommons.org/licenses/by-nc-nd/4.0/legalcode; info:eu-repo/semantics/openAccess
OpenAccess true
Representation
Language English
Resource Type Conference paper; Text
Discipline Design; Fine Arts, Music, Theatre and Media Studies; Humanities