In his interdisciplinary study Mooiman argues that in the context of Western Art Music, improvisation is not to be seen as a quasi-autonomous skill or art form, but as an aspect of music-making in general. Mooiman offers a ‘panorama’ of nineteenth-century styles and situations of music-making that together sketch a picture of improvisatory aspects of nineteenth-century music. Open access: https://hdl.handle.net/1887/3247235In the appendix, the dissertation refers to recorded versions of harmonic loci communes [Mooiman, A.: An Improvisatory Approach to Nineteenth-Century Music (diss., unpublished). Leiden, 2021; 571.] These recordings (marked ‘App#2’ in the text) are accessible here.

Date Submitted: 2021-11-19