Productive margins, regulating for engagement: Seeing regulation differently 2013-2018

DOI

'Seeing regulation differently’ is one of seven projects under the ‘Productive Margins: Regulating for Engagement’ programme of research, co-produced between academics and community organisations in South Wales and Bristol. ‘Seeing regulation differently’ was a cross-programme project, starting later than many of the other projects (2016-2018) and drawing on discussions at project and programme level, exploring how regulation is seen and talked about by community organisations, researchers and community participants. The data collected were from two elements included in this project: 1. A year-long artists residency with artists Close and Remote (Sept 2016 - Sept 2017); 2. Discussions about regulation within the programme, including workshops with academics from several universities, specialising in regulation theory. Information about the regulation project including the residency can be found on the Productive Margins website and will be the subject of a book to be published in December 2018 by Policy Press. ‘Seeing regulation differently’ is one of seven projects under the ‘Productive Margins: Regulating for Engagement’ programme of research, co-produced between academics and community organisations in South Wales and Bristol. ‘Seeing regulation differently’ was a cross-programme project, starting later than many of the other projects (2016-2018) and drawing on discussions at project and programme level, exploring how regulation is seen and talked about by community organisations, researchers and community participants.

Details of consent are in folder 1. Documentation: The documents included are detailed and explained below: Folder 1: Documentation to accompany data The artists’ residency comprised visits to some of the community organisations involved in the programme and ‘immersive walks’ in four locations which were filmed and compiled into a film, called ‘Live Model’, which constitutes the artwork for this residency. This folder contains two blank consent forms relating to the artists’ residency: * The first ‘residency’ consent form covered visits to organisations, undertaken by artists and the Research Associate, as part of the residency and to develop ideas for the artwork. Hard copies of signed consent forms are stored in a locked filing cabinet in the office of Professor Morag McDermont (Principal Investigator) in the Law School at Bristol University. * The second consent form concerned the artwork, ‘Live Model’, which consisted of immersive walks in four localities, which were filmed. Originals were signed by participants and are stored in a locked filing cabinet in the office of Professor Morag McDermont (Principal Investigator) in the Law School at Bristol University. Two short films were made at a workshop with community co-Investigators: email consent was obtained from them, and copies are kept electronically on the University of Bristol’s Research Data Storage Facility. Folder 2: Artists’ residency Included in this folder are two sub-folders: * Residency activity This folder contains data arising from the artists’ residency, in preparation for their artwork. * Notes of visits to community organisations This includes notes made by the Research Associate of joint visits with the artists to co-investigators in community organisations, in preparation for the artwork. * South Wales * South Wales visit Nov 2016 * South Wales visit 23.1.17 * Bristol * Bristol visit 21.11.16 * Bristol visit1 9.12.16 * Bristol visit 9.1.17 * Model building workshop This folder contains two MP4 files of film clips of workshop participants (co-investigators) building models of regulation. These also publicly available on the website (see related resources) via Vimeo: Food.mp4 and Immigration.mp4. * Artwork Live Model To make the ‘Live Model’ film, artists filmed participants of immersive walks in four locations, subsequently filmed as artwork. The film is publicly available as well (see related resources). A ‘live model manual’ was produced by artists to accompany the immersive walks and is included in one of these folders. Observation notes (anonymised) were also taken on the walks by a university staff member and is in the second folder, saved as a csv file. * live model observation notes * live model manual Folder 3: Regulation notes * Notes of regulation issues arising from discussions This note summarises the main issues considered and the approach to research carried out by the programme. Anonymisation process: For the purpose of storage, both regulation notes and observation notes have been anonymised so that individuals are not identified. In the notes from visits to organisations, although not named, it may be possible to identify participants from their conversations, so this data is restricted.

Identifier
DOI https://doi.org/10.5255/UKDA-SN-853442
Metadata Access https://datacatalogue.cessda.eu/oai-pmh/v0/oai?verb=GetRecord&metadataPrefix=oai_ddi25&identifier=088da4766becd22113038bb40c5e59e6da01e7b1a93cb860d3ca7f1eb3fff84a
Provenance
Creator McDermont, M, University of Bristol
Publisher UK Data Service
Publication Year 2018
Funding Reference Economic and Social Research Council
Rights Morag McDermont, University of Bristol; The Data Collection is available from an external repository. Access is available via Related Resources.
OpenAccess true
Representation
Resource Type Numeric; Text; Still image; Audio; Video
Discipline Jurisprudence; Law; Social and Behavioural Sciences
Spatial Coverage Bristol and South Wales; United Kingdom