The interview was conducted within the research “The sound of artworks: Assessing sound in time-based media conservation”. To identify the issues at stake with sound elements in time-based works of art, prominent time- based media conservators were interviewed (Reinhard Bek of Bek & Frohnert LLC, New York; Amy Brost of the Museum of Modern Art, New York; Patricia Falcão and Jack McChonchie of Tate Modern, London; and Flaminia Fortunato of the Stedelijk Museum Amsterdam. And an artist- Camilo Sandoval).
Bek discusses the challenges he faces when installing artworks with sound in exhibition spaces [0:04:30.1]. He gives examples from his experience with artworks by Jean Tinguely [0:14:48.0]and discusses the use of recordings for re-installation of artworks that contain sound [0:23:45.3].

Interviews in Conservation Research is a growing collection of oral history records that can inform the preservation, conservation and presentation of works of art and cultural heritage in the Netherlands. Many professionals in museums and heritage institutions conduct interviews with artists, artist assistants and conservators, as well as with other stakeholders, such as curators, directors and collectors to learn more about the works they have in their collections. These interviews are rarely sustainably archived nor easily accessible for other researchers, as their existence as primary sources is relatively unknown. This thematic collection helps to overcome these problems and is one of the main results of the NWO funded KIEM project Interviews in Conservation Research, a partner project of the Netherlands Institute for Conservation+Art+Science (NICAS) as part of the Conservation Oral History Initiative. This is an ongoing initiative and additions to the thematic collection Interviews in Conservation Research are welcome to build a rich collection of unique source material that allows for cross-referencing and provides a unique view on the behind the scenes of the lives of works of art and cultural heritage in the Netherlands.